![]() Apparently, other characters from Daisy’s past - like Melinda’s lover, Edward (John Cudia) - can hitch rides into the present, so they get to sing flowery arias like “ She Wasn’t You.” And the therapist himself can hitch rides back, which gets confusing fast. ![]() The rules of hypnotically induced past-life regression are murky. Alas, Daisy’s the one who falls in love with him. Compared to Daisy, Melinda is confident, unconventional and uninhibited naturally, Dr. Bruckner discovers her previous incarnation as Melinda, the highborn daughter of an antislavery crusader in Georgian England. It is while fishing around in her subconscious that Dr. She anticipates phone calls, intuits the location of missing objects and makes flowers burst from their pots “as if the cops were after them.” Bruckner isn’t really interested in her smoking anyway he’s interested in her ESP and telekinetic powers. Which might make more sense if we ever learned what Daisy does.īut Dr. She goes to see the hypnotherapist Mark Bruckner (Stephen Bogardus) not because her smoking threatens Warren’s advancement at work (as in the original) but because it threatens her own. (The cast has been reduced to 11 from 47 and the orchestra to five from 31.) Songs, subplots and characters have been dumped, including Daisy’s boyfriend, Warren - presumably to enhance Daisy’s agency in the story. The Irish Rep production, led by Melissa Errico in the dual role of wacky Daisy Gamble and grand Melinda Wells, gives it a good go, on a very small scale. It was he who, obsessed with the New Age fads flitting around the era, devised a story - about a love triangle among a psychiatrist, his patient and her former incarnation - that became, over the years, Broadway’s pity project: the Golden Age book most in need of rescuing. (In the musical, “Hurry, It’s Lovely Up Here” is sung to a flowerpot.)įor the strange ideas, Lerner has to take the blame. Songs like “ Hurry, It’s Lovely Up Here,” “ What Did I Have That I Don’t Have?” and “ Come Back to Me” are so catchy and well constructed that, stripped of context, you’d have no idea they were originally attached to such strange ideas. ![]() But few shows have as bewildering a topic as “On a Clear Day You Can See Forever,” the 1965 jaw-dropper about ESP, telekinesis and past-life regression that’s a weird mix of laughably earnest woo-woo and chipper Broadway savvy.įor the savvy, we have the score to thank: a treasure trunk of standards with music by Burton Lane and lyrics by Alan Jay Lerner. Now, we don’t claim to be experts in poetry and lyrics, and this is clearly not a definitive list, but we think we can make it larger and more extensive with a healthy discussion.Bizarre subjects are no deal breaker for musicals think human meat pies and philosophical felines. Now the only challenge is being able to read them without remembering how they sound: We’re presenting them in Tumblr Photoquotes format so you could appreciate the beauty of the words against a backdrop of filtered stock photos! (Also: for better sharing on social media!)įor those who do not dig poetry in its truest form but would love to get started on creating poems, maybe this is a good start. In celebration of National Poetry Month, we asked the POP! team for songs with lyrics that, for them, when devoid of melody, could pass as the real thing. But once in a while, we encounter a few lyrics so damn good it just becomes poetic material. While a majority of poems can work when presented with back-up melody, most lyrics lose their meaning once the technical aspect of music is taken away from it (we’re looking at you, Janelle Monae). Per Zapruder, “ words in a poem take place against the context of silence, whereas lyrics take place in the context of a lot of deliberate musical information: melody, rhythm, instrumentation, the quality of the singer’s voice, other qualities of the recording, etc.” An article on by poet and artist Matthew Zapruder best explains the difference between poems and lyrics, which basically lies in the context of how the words are presented. Poems and lyrics, while usually interchanged by many people, are actually very different.
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